My trips over break were limited to the area, due to lack of funds and a stubborn unwillingness on my part to plan ahead (I have a thing for spontaneity, I might have to let go of that a bit). I visited the Pont du Gard last Monday with Renae and Zoe. It was a very peaceful day; we crossed the Pont, appreciated the graffiti that had accumulated on its surface over the centuries, hiked around for a bit and enjoyed the various panoramic views, and picnicked below the arches. The river was shallow enough that I could walk out to the middle; apparently, though, the arches had to be built exceptionally high because the water can rise suddenly and violently. Afterwards we went to the museum, where we learned a lot about the water in Nimes during Roman times. The Pont was part of a 50 km canal (most of which was underground) running from a spring in Uzes to Nimes, and which carried about 200 million liters of water to Nimes daily (the museum used the metric system). This made Nimes the place to be; the homes of the well-to-do all had running water, and public baths and fountains abounded. Whose brilliant idea was it to destroy the Roman Empire again? Surely a little oppression must have been worth the advanced plumbing system. Apparently not.
Last Wednesday I went to Arles with Robyn and Zoe. Probably because of its proximity to the Rhone, Arles was also of great importance back when Provence was a a Roman province, and can boast (I think) an even more impressive collection of Roman monuments, including an amphitheater, a theater, and the Roman forum, which we saw. I was more excited, however, by the fact that Vincent van Gogh lived and painted there for a while, and I spent some time reading some of his letters to his brother from that time to prepare for the visit. We saw the cafe on which he had based Le Terrasse du café le soir. As far as I can tell from his letters, it was around the time of this painting that he first became interested in painting the night sky, which comes across in his description of the painting in a letter to his sister:
On the terrace, there are little figures of people drinking. A huge yellow lantern lights the terrace, the façade, the pavement, and even projects light over the cobblestones of the street, which takes on a violet-pink tinge. The gables of the houses on a street that leads away under the blue sky studded with stars are dark blue or violet, with a green tree. Now there’s a painting of night without black. With nothing but beautiful blue, violet and green, and in these surroundings the lighted square is coloured pale sulphur, lemon green. I enormously enjoy painting on the spot at night.I was once informed that I should never end anything with a quote, so this is me, not ending with a quote.